Results tagged “Modern Art Oxford” from Coventry Telegraph - Private View
Jenny Saville's name belongs with the other YBAs of the 1990s, but she has waited longer to have her first UK solo exhibition.
While Damien Hirst has a retrospective this summer at Tate Modern and Tracey Emin had one last year at the Hayward and is now showing in Tate Margate, Saville's show is in the cosier surroundings of Modern Art Oxford, in the city where she has her studio.
The exhibition includes works from the 1990s until the present - with one being finished just the day before the exhibition opened, and another being framed and hung in the gallery on the press preview day.
It's possible to travel a long way from Coventry - and still find a familiar image on show.
On a short break in Pembrokeshire I discovered a fantastic exhibition of Graham Sutherland landscapes and other works in the Oriely Y Parc Landscape Gallery, a lovely light and airy space in a well-designed building which also houses the information centre in St Davids.
This seems to be the year to see Graham Sutherland, following the exhibition curated by George Shaw at Modern Art Oxford. That focused heavily on Sutherland's Pembrokeshire landscapes, and some of them feature here too - along with a map suggesting places to visit inspired by the works! The Coventry connection was a practice image for the crucifixion for the Coventry Cathedral tapestry.
Graham Sutherland, Dark Hill - Landscape with Hedges and Fields, 1940 (watercolour, gouache on paper), 48.9 cm x 69.8 cm. Swindon Museum and Art Gallery © Estate of Graham Sutherland
In Coventry Graham Sutherland is forever known for the huge tapestry he designed, Christ in Glory in the Tetramorph, for the new Coventry Cathedral.
George Shaw is currently best known in Coventry for being born in the city, for immortalising Tile Hill in his paintings and being a Turner Prize nominee.
Now their names are linked in An Unfinished World, an exhibition of Graham Sutherland works on paper on show at Modern Art Oxford, which George has curated.
The exhibition's private view was just five nights after the Turner Prize announcement, won by Martin Boyce. On December 5, after the ceremony in Gateshead, George took his mum back to her hotel, had a cup of tea with her and then went to the pub. He was soon back in Oxford for the opening of the Sutherland exhibition. The story of the exhibition began some time ago.